書畫藝術學刊第十八輯

01.林文彥-古璽摭遺

01.Lin Wen-Yen
Study in Ancient Chinese Seal No.4
 
02.Chang Yuan-Feng、Kijima Takayasu
Technical, Aesthetic and Cultural: A Multi-Perspective Approach to the Conservation Project of Chen Cheng-Po's Works 
 
03.Lin Chin-Tao
A comparative study of calligraphy and painting theories
 
04.Zhang Hui
Gong Xian and Adherents of Companionship in Yangzhou
 
05.Shoi Chia-En
From the Political Thought to Define Modern Chinese Painting--with Gao Jian-Fu as an Example
 
06.Chen, Chun-Chi
The research of the painting of entering the Dharma Realm of Avataṃsaka Sutra in the Tang Dynasty to the Five
 
07.Lv Wen-Ming
Another perspective of the Wei and Jin period:concept of family in the meeting of scholars in the Lan Pavilion
 
08.Li Yue-Lin
Restoration of the original content A Book of Letters from the Su Family
 
09.Zhao Zhen-Yu 
Painting in the role of landscape meaning continuation :Take the ancient Chinese garden painting of "wang chuan tu" circulated as an example
 
Chien Ying-Chih
Analysis of the Impact of Ancient Seal Print Preserved in Taiwan on Seal Carving Styles
 
Liou Chia-Cheng
Comparison of Guwen character forms in Transcriptions:
An Example of Ancient Scripts in Shuowen Guwen
 
12.Jhuang Jhe-Yan
Six Questions Ancient Chinese Seal Analysis
 
Hsiao Shun-Chien
Have a few book hands-concerning Guo Dian Chu, Chien, 《Lao Tze 》
 
Tseng Shu-Chen
Memory and Nostalgia in Art Creation
 
Chou He-San
Calligraphy written by intentional or unintentional
Research in the hierarchy of concepts
 
Liu Ru-Jen
Being as Pure and Solid as Jade; Being Widespread in High Mountains―The Chinese Ink Paintings of Jade Mountain and Juniperus squamata