01.曾肅良 孤寂的美感——探討中國文人山水畫之中「孤隱」的深層意識
Tseng, Su-Liang
Lonesome Aesthetics—Discuss the Profound Consciousness of Solitude in Chinese Literati Landscape Painting
Huang, Chun-Chia
On Modern Context of Calligraphy and Art across the Straits
Yang,Tun-yao
The Trasformation and Reception of Yan Wengui’s “Windswept Stream” in the historiography of Chinese painting
Lu,Ching-Chen
Media Turn in the Performative Exhibition of Ink and Wash Painting
05.林家聿 傅抱石《湘君》與《湘夫人》的圖像表現及其時代意涵
Lin, Chia-Yu
The Image Expression and Implication of “Xing Jun” and “Xing Fu Ren” in the Figure Painting by Fu, Boa-shi
Wang,Ming-Yen
Re-thinking the Reasons for the Beginning of Joseon Blue and White Porcelain from the Perspective of East Asian Ceramics
Interaction
07.范 墨 「合而不同」——從「徐蔣體系」到「新浙派」，兩種現代水墨人物畫教學體系的探索
Fan, Mo
Blended yet different：from Xu Jiang System to the New Zhejiang School, explorations of two types of teaching system on modern Chinese ink figure painting
Li, Chi-Feng
KEYGOT-A Study of Ink Color Painting by Composite Image
Tsai Yuan-Kai
Relationship between Ink Painting Art and Comic－Explore the Elements of Comic from the Classic Ink Painting Masterpieces
Liu,Jeng-Fa
Dreaming-Research on the Creation of Color Ink situational Performance
Yu ,Hui-Ya
The Mysterious Energyof Painterly Calligraphic Lines
Part III: My Artistic Travel to the World of Lines
Wang,Yi-Wen
Impression．The Moment–A Study of Wang,Yi-Wen’s Paintings
Hsiao,Kai-Chung
A Preliminary Study on the Style of Seal Carving of Taiwan Provincial Fine Arts Exhibition(1984–2006)
Wang,Zhen-Zhen
Form Simplicity to Refinement：On Change of
the Calligraphy art style of the Wang Family during Eastern Jin Dynasty
