成果發表
造形藝術學刊2017
Chen, Meng-Yi
Advocacy, Inheritance, and Development of Calligraphy Style in Taiwan: Chang Hsuan's Epitaph
Kuang,Jou-Ming
Analysis and Textual Criticism of Postscripts in Yuan Dynasty on Chao Meng-Fu’s Autumn Colors on the Chiao and Hua Mountains
Chang Yu-chen
The Development of The Color Scheme in Chinese Painting
Analysis on Zen-Calligraphy of Huang Ting-chien with
his Calligraphy Theory
Yang, Zhenqin
A New Study of Supernatural Composition and Aesthetics in Taoist Painting：A Case Study of “Liu Haichan carrying a three-legged toad”
Chang wei-yuan
Freedom of mind and experience the situation-to explore
the creative concept of absolute freedom
Tu Sheng-Chiun
“Floating”Imagination:A Painting Aanlysis
Zuo Xiao Kang
Exotic Vision and Mood- The Research and Creative Artwork on Ink Painting
Lin Yu Cheng
An iconography study of Interpreting Chiang's image shaping Through Li QiMao's “Si Hai Qui Xin”
